essays

Here I would like to complicate Driscoll's focus on the exhaustion of teen film
and her breakdown of the "revisionist" film series by zooming in on the
production of Heathers (1988) and Clueless (1995)...

Aside from their deep interest in the post-fascist government’s tactical approach to economic revival, historians cannot ignore the simultaneous or, arguably consequential, radicalism experienced by the country’s popular culture. In observing these cultural changes, academics can look to the role film played in both reflecting and constructing the ideals, aspirations, and fears of Italian society...